I came to London 12 years ago because it was the most creative city in Europe, and I wanted to design in an interesting material. Ceramics, I felt, had long been neglected and pooh-poohed. I wanted to push china to new limits.
Tell us about your design process.
The starting point is always the material. For example, with the pewter products I’ve just done for Mulberry, I knew that pewter was beautiful, but I didn’t know very much about it. I went to see manufacturers–the best in the field–to look at what they were doing. I always dissect what is possible and then go back and design. That way, I minimize headaches but still produce something unique.
Who are some of your collaborating manufacturers?
Besides Mulberry, I designed the leather U Turn chair for Alma Home, U.K.–it’s also available through Salon Moderne in New York. I was the first contemporary designer to create a collection for Nymphenburg Porzellan in Munich. For 100% Design in September, I’ve been working on stone furniture for Capital Marble and a fireplace for CVO Firevault.
And your custom projects? Hospitality collaborations would seem natural.
Right now, I’m getting actively involved with hotels. A lot of them don’t want to buy off-the-shelf. They need an individual style to give people a reason to stay. I’m also consulting on the banquet hall of a private house outside London. There’s a bespoke part to it, with table settings and lighting that combine contemporary design with classic appeal.
Let’s talk about London. What do you think catapulted it to the center of the international design scene?
Education is definitely the key. In Britain, art and design are generally strong subjects. I think that England’s system is closer to the Bauhaus teaching methods than any other country’s.
Living Room, or Sitting Room, an Important Part of A House
The living room, or as some call the sitting room, where it meets the family to enjoy either reading, watching TV, or any activity that endeared them. Reflect the living room is always personal taste and the owner of the house, they are considered the most used room. So have you designed in a way Troukk and relieve your household. Should consist of the living room sofas, chairs, tables and the side of moderation, library, lamps, rugs, and either in a deluxe room designed as designed dianne bishop possible that there is a fireplace and a piano.
Space of a living room
Must be at least the length of the living room about 4.5 m. This size will allow us to arrange for a roomy sofas, easy to move in addition to a healthy distance between the TV and seating as in the design designed leslie benston. For small living room in a small apartment must be at least 3.8 m in length. As for the luxury place sitting in length shall be a minimum of 5 meters.
We must selected Mrihhkoshert Sofas essential for living rooms, proportionate with the colors of the wall and in line with the main theme of the decor. We also take note of a well-to Vartfalla sizes 38 cm and 80 cm depth of the seat. The length shall be according to the space available in the room, sofas prefer heavy (made from natural wood, for example) because the solids give it a longer life span for use, and bear the daily stress.
What type of Sofas and Recliners?
Contemporary sofas and recliners
There are two types of sofas and recliners, contemporary sofa and contemporary reclining chair be characterized by the appearance of a simple armchair armchairs, square-shaped and rises to the rules of either high-or which is small in size smirk so it is suitable for small apartments, as in designing designed because space is limited. To find models for small space, visit Cuddly Home Advisors for reclining leather sofa reviews.
Classic sofas and recliners
The classic style is characterized by thick seats, and also characterized armchair wrapped in a circular motion with a number of them for distributor. For colors also subject to either the use of cool colors such as purple, green and blue. Then the room will look like a quieter and rebound, these colors fit small rooms. The warm colors such as yellow, red and orange thereby giving a sense of heat and intimacy and energy are suitable for cold country, but it is important in the living room to choose the right colors you you are, we see here the use of white with color it bounces in the living rooms of Sraha But if the cloth is from the face of the hearing when starch cleans why not?
Sometimes you have to ignore the advice of others and go with your gut instinct. That’s the lesson Tina Clark learnt after she bought a dilapidated house in the beachside Sydney suburb of Tamarama seven years ago. After years of living in apartments during her stints working as an equity trader in Paris, New York and Hong Kong, she had her heart set on buying a home with a decent-sized garden so she could have dogs.
But most of the places Tina liked didn’t have much in the way of land size. Then she found this place. “Because of the difficult access and the terrible condition of the house, no one could see the potential, so it was quite a bit cheaper than a lot of the houses in the area,” Tina says. “Friends of my mum’s – both real estate agents – tried to talk me out of it on the day [of the auction]; they thought I was completely mad.” But she bought it – “the location sealed the deal for me”.
WORKING AS AN interior stylist is all about being resourceful. You have to know the best places to shop and how to stick to a budget. So when it came to transforming a small rental, real living contributing stylist Marie Nichols was able to put into practise some of the many tricks she’s learnt over the years. And the results are colourful, cosy and very creative.
NEW CITY, NEW HOME
Marie Nichols and her partner Simon Ward were ready for an overseas adventure and decided to spend 12 months living and working in Australia. Marie had been a stylist for a UK interiors magazine; Simon is a graphic designer. They left a Victorian semi-detached home in Kent, a 40-minute commute to London, and landed in Sydney in October 2009. When they first arrived the couple were living in a hotel until they could find permanent accommodation.
RENOVATING? FURNISHING? Don’t forget the front door. After all, first impressions count.
A pleasing entrance that reflects your personality – and hints at your decorating style – will make you feel good every time you leave the house or come home. And it doesn’t have to cost the earth. Here are six ideas.
idea 1: charming!
The theme: modern country
Are you after an entrance that looks cheery whether it’s winter or summer? If your exterior walls are white and you have greenery, a front door painted in sunshiny yellow can look delightful. Add a bright gingham curtain, sky-blue doormat and dramatic pow-dercoated orange lamp post and you get a funky country feel.
Hints at Chooks out the back.
Idea 2: colour confidence
The theme: chic modern
Team dark walls with bright lime for striking effect. Mix in sleek chrome and you’ve got a super-chic entrance. On door window, a simple frosted panel lets light come flowing into the hallway while preserving privacy. The sculptural mirrored aluminium wall decal is designed for outdoor use; you can also buy feather-shaped designs.
Hints at… A quirky and minimalist modern decorating style inside.
Diffrient’s design mandate came from Robert B. Cadwallader, SunarHauserman’s vice chairman, after the latter concluded a number of years ago that office system had to be ready for the age of automation. He wanted to develop a system that started with the computer, rather than simply modifying a conventional system to accommodate it after the fact. His only charge was: “Design me a system.” Then, said Diffrient, “I was on my own: When Bobby chooses someone he trusts, he gives him latitude.” Diffrient took his latitude and ran, spending the first year of his five-year conception-to-production plan studying how people used systems and what was then available on the market. He realized that the problem with so many existing office systems is that they are based on structural panels, from which components, such as worksurfaces and storage cabinets, are hung, making it extremely difficult to adjust each workstation to its user. So diffrient decided to “put the system on the floor,” making each workstation a piece of furniture in its own right, with desk, chair, and overhead storage adjusting in unison. The panels, or screens, then become lightweight, flexible elements, since they don’t have to support anything, and simply provide visual and acoustical privacy.
Features required for the workstations
The components of the system break down into five smaller systems. The freestanding, adjustable worksurfaces or table move up or down from the legs, and their wood or laminate tops can tilt for reading or writing, either manually or with an electric motor. Wings, in a variety of shapes, cantilever out from the worksurfaces, creating more flat working area; bridges make corner connections between related worksurfaces. An integral track system supports accessories such as task lights, phone stands, video supports, etc., to clear the worksurface, “a valuable piece of real estate,” in Diffrient’s words, making the workstation more efficient without having to make it bigger. The panel system is used when and where needed, and attaches to storage units and light columns. The storage system consists of freestanding low and high units, as well as drawer and file units mounted under the workstation, and overhead storage mounted on the workstation, you automatically adjust the height of the storage unit accordingly. The lighting system consists of two task lights–one track-mounted, the other attached to the overhead storage–and an ambient light column that also houses wiring. Finally, the seating system–a task chair and an unorthodox reclining chair–are designed on the same principles of variable adjustment as the other pieces. Check tips on repairing or maintaining a house.
About 75 percent of the design, according to Diffrient, was determined by the sight lines to the video screen (or CRT) and keyboard. This led him to design the video and copy stands so that they could be symmetrical about the center of the worksurface, rather than having the CRT fixed in the middle and the copy stand off to one side. This also produced a video support that adjusts up and down, tilts, and swivels. Usually, the CRT is stuck atop the computer, an arrangement that proves comfortable for only about 50 percent of workers. With this system, the user has a side-by-side option.
The task chair represents an effort, in Cadwallader’s words, to “get rid of the bells and whistles.” Once the initial adjustments have been made, its only operating adjustment is for seat height; the seat automatically tilts forward and back to accommodate the movements of the worker, both at the keyboard and at ease.
Recliner chair and its Benefits
The reclining chair, the most unusual component of the system, is Diffrient’s answer to Cadwallader’s request for “a chair that I can read in,” which also became a chair in which he or anyone else could work at a personal computer. Since the chair didn’t work with a conventional desk, Diffrient designed a veritable workstation’s worth of accessories to go with it: a swivel table, video stand, adjustable light, and, of course, an ottoman. He cites a study made of college students’ study habits, in which those who reclined while working were found to have grades equal to those students who sat up straight. Approaching the recliner as a task chair problem. Diffrient called it a perfect “90 percent project–in which the performance criteria were so well developed that the product designed itself 90 percent.”
The look of the Diffrient system is frankly industrial: while the detailing is quite elegant, and its accessories downright snappy, it won’t win any beauty contests. But then, it wasn’t mean to. “Form is not just the way it looks,” insists Diffrient, who cites human factors and the lightest possible performance “weight” as his guides. “The best design is not found in products that scream, ‘Look at me, I’m designed!’ but in products that are just ‘there.’ I won’t go past a certain point of aesthetic elaboration.” Furthermore, making the system any more elaborate than necessary would increase its cost, and this product is designed to compete with the major systems in the industry–to perform just as well, at the same price, but with the crucial advantage of adjustability. The panels will cost half as much as those of other systems. The luxuries of this system are its accessories and “extras,” such as the motor-driven tilt-tops and CRT stands. One of its most important options is its capacity to house disk drives and printers in boxes suspended under the workstation wings, with the keyboard and CRT placed on the adjustable worksurface in the center. While other manufacturers are currently working on integrated electronics and “intelligent furniture” (P/a, May 1984, pp. 161-166), Diffrient emphasizes that electronics are only part of the picture: “You still need a lot of office stuff–lighting, storage, paper, management, etc.–and this system offers all those things.”
Even if you are not especially skillful, you could gain pleasure from home improvement project. Tasks to improve or fix your house could have great advantages beyond changing your house into a more beautiful location to live. When tasks are done appropriately, home improvements could really raise the value of your house. This article would provide you several useful tips to take advantage of your coming home improvement task.
A drill is probably the most essential device for any home improvement tasks. A drill permits you to drive various radius holes as well as drill in a lot of screws. Make sure that you have a drill which is cordless and a battery a minimum of 9 volt. You should also choose drill bit of different sizes. Thus, remember to go out and buy for you the best cordless drills 2016 in the market.
If you are considering get some people to work for a home improvement task for you, then firstly you should look at their reference. Think of it as though you are hiring employee for a business. In addition, you also should have an overall idea what their description is and know whether the task that they have completed before has been acceptable. Continue reading HOW TO MAKE A HOME IMPROVEMENT TASK LOOK MORE PROFESSIONAL→
A Contemporary, Stylish Interior Four-bedroom Family Home
This four-bedroom family home has got it all: spacious, light and airy living areas, large garden, an enviable location in the beautiful seaside village of Mt Eliza on Victoria’s Mornington Peninsula, and a contemporary, stylish interior. If the house was for sale now it would be snapped up in minutes. But when the property was on the market three years ago it was a very different story. “People walked straight out of the open inspection saying it was a dump and too much work,” recalls homeowner Jo Verhoeft. “I called it the derelict house on the hill,” she says. “It was built in the early 1970s and was really dark inside with dated decor, ugly brick and plaster arches, dreary, dark wood panels, and wallpaper everywhere – even the shower was wallpapered!”
Despite the neglected state of the house, it was structurally sound, with a good floorplan and in a great position on the hill, so Jo and husband Bart, not daunted by a DIY challenge, instantly saw its potential as the perfect family home. “We moved in just six weeks after our third daughter Lola was born and immediately began planning what renovations needed to be done,” Jo says.
Reuse Some Usable Pieces of Furniture to save on costs
To save on costs the couple did the majority of the work themselves, hiring local builder Ray Hughes for the bigger jobs such as replastering, and constructing a pergola and two new gables. “We stripped the house back to basics,” Jo says, “removing the brick arches, ripping up the old carpet and lino, and taking down the wood panelling. We did keep the panelling on the hall ceiling and study wall, classic chairs, recliners, and round tables as we wanted to embrace some of the original features that worked in the house. It’s a special surprise to see a modern influence married gently into an old home.”
The look the couple wanted to achieve for their interior was “a light space with cool forms, textures and luxuries throughout”, Jo explains. “Bart and I were both born in the 1970s and are drawn to mid-century-modern pieces.
Interior design and furniture arrangement for a family with babies
With young children, the house also needed to be durable, easy to live in and easy to keep clean. The tired interior was given a contemporary facelift with newly rendered walls painted a warm white (Dulux “White Watsonia”) for a fresh, light and airy feel; dark flooring for practicality and to contrast with the white; and modern fixtures and fittings in the two bathrooms. Floor-to-ceiling windows were installed in the main living area to let in light and to maximise the garden views. With the budget getting tight the couple didn’t think they’d be able to afford to update the kitchen, but a good friend offered to make new cupboard doors for them. “Bart fitted and painted the doors in a white high gloss to match the walls and I bought new handles and a sink and mixer from eBay for a song. We had the old orange benchtop relaminated and a new Laminex breakfast bar installed where we knocked down the existing bar,” Jo says. “Our new, modern kitchen cost less than $2500.”
A commercial lease is a tricky beast, and tenants need to be clear about the extent of the potential liabilities they are accepting, reports Philippa Aldrich
As the credit crunch begins to bite, all businesses will be carefully reviewing their overheads. Premises costs are usually one of the biggest.
One of the most expensive mistakes commercial tenants can make is to assume that certain major areas of expenditure are the landlord’s responsibility. So what should tenants be looking out for?
Repair and maintenance
All leases will set out the tenant’s obligations in relation to the maintenance of a property. But the precise meanings of words generally used to describe a tenant’s repairing obligations have been settled over many years of court decisions, and the implications of certain phrases are not always obvious.
For example, a covenant ‘to keep the property in repair’ includes an obligation to put the property into repair if it is in a state of disrepair at the start of the lease. A tenant who has entered into a lease which contains this obligation and has decided to proceed without a survey, may find themselves paying for repairs of which they were not even aware.
An obligation to `keep the property in good condition’ can require works to be carried out even if there is no disrepair.
A covenant to `renew’, on the other hand, may extend to rebuilding the whole property if that is necessary to achieve repair. And the word `repair’ itself may include remedying and removing the cause of an inherent defect, such as a defect in the original construction or design of a building. This will even be the case if the building is several years old and the tenant has had no involvement with its construction.
In multi-let buildings, the landlord will often take responsibility for the maintenance of the structure and the common parts of the building and then recover the cost from the tenants via the service charge.
Service charges are one of the most often contested areas of commercial leases, and there is little statutory protection for commercial as opposed to residential tenants.
Again, close attention to the wording of the lease is important to make sure that the landlord is not only obliged to maintain those services which the tenant needs to operate from the premises – such as lifts, car parks and shared air-conditioning – but also that the cost is shared fairly.
For example, in a mixed use building with ground floor shops and offices on the upper floors, the retail tenants should not be paying for the costs of maintaining the lifts which solely service the offices.
It also worth considering carefully the areas of expenditure listed in the lease where the landlord is entitled to recover the costs from the tenant. For example, tenants should not assume that the cost of an expensive upgrade of the common parts of a building, which is designed to attract more tenants, will necessarily be borne by the landlord.
In commercial leases, business rates are generally the tenant’s responsibility and tenants might also anticipate that they are free to claim the benefit of any rate reliefs. But it is common for commercial leases to provide that the tenant will compensate the landlord for any empty property rating relief that the landlord `loses’ after the end of the term because it has been awarded to the tenant. This can be costly.
Disability Discrimination Act 1995 (DDA)
The DDA requires a `provider of services’ to take positive steps to make its services accessible to disabled people, which may include making physical adjustments to the property’s access. This new duty is not only the concern of landlords – it falls on whoever is providing the service – and this can be the landlord, tenant or even both.
It is usually the tenant’s responsibility to comply with all relevant laws in relation to a property, including those relating to fire prevention. The statutory regime has recently changed.
Under previous legislation, if a fire certificate had been issued, tenants could be confident that the property complied with the fire standards. But fire certificates have now been superseded by the Regulatory Reform (Fire Safety) Order 2005, which came into force in October 2006.
The order imposes a new regime of self-assessment, more in line with health and safety regulation, and a tenant is likely to be the `responsible person’ for ensuring compliance in relation to the property it occupies. And compliance can be expensive. For example, in an extreme case, the tenant may be required to pay for the installation of a sprinkler system.
Where property has been previously contaminated, a remediation notice requiring it to be cleaned up is generally served on the landlord rather than the tenant.
But commercial leases will often provide that the tenant is responsible for complying with all legislation in relation to a property, and in particular for carrying out any work required by law.
Such a clause would make the tenant liable for the clean up of historic contamination, even where the notice was served on the landlord. However, if a remediation notice is served on the landlord and the notice is not complied with, it is the landlord and not the tenant who will incur criminal liability.
In addition, there may be circumstances when the tenant could be liable to carry out remediation works by virtue of other obligations in the lease, for instance a covenant to comply with health and safety legislation or to maintain the property.
Energy Performance Certificates (EPCs)
The obligation to produce EPCs will now apply to commercial as well as residential premises. In the case of new leases, the production of such certificates is the responsibility of the landlord.
But EPCs also apply to the disposal (or `assignment’) of a lease by a tenant and also the grant of a sub-lease – where a tenant grants a new lease to a third party.
In the case of an assignment, the assigning tenant needs to provide the EPC to the incoming tenant. Where a tenant proposes to sub-let its property, it has to either negotiate with the landlord to obtain an EPC for the whole building (as long as there is a common heating system) or obtain an EPC for the part of the building that it being sub-let.
Regulation 4 of the Control of Asbestos at Work Regulations 2002 came into force on 21 May 2004, and created a significant new duty to manage asbestos risk in `non-domestic premises’.
This includes determining whether asbestos is present in a building or is likely to be present, and managing any asbestos that is identified. The broad definition of `duty holder’ means that, under Regulation 4, a wide range of people will be liable and, like the DDA, this can include tenants as well as landlords.